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| Aluno(a) |
Alex Wagner Dias |
| Titulo |
CONSTRUÇÃO E UTOPIA NA POESIA DE INVENÇÃO |
| Orientador(a) |
Maria Lucia Outeiro Fernandes |
| Data |
15/03/2021 |
| Resumo |
Resumo: This research aimed at reflecting upon and looking into the representations of the indigenous women in colonial and contemporary Brazil through narrative photography produced by some photographers and authors, in contrast to the narrative produced by the researcher on occasion of the first ever Indigenous Women Parade, which took place in Brasília in 2019. Therefore, the main purpose of this research was to identify these women’s diversities and potentialities, enquire about these historical, political and aesthetic positions and re-establish them as social and political protagonists of twenty-first-century Brazil. The qualitative research drew on historical facts and data about the indigenous population in Brazil, including authors who have dedicated their work to the reflection concerning political and indigenous issues in Brazil, especially those related to currently indigenous agenda, all of which contribute to resistance movements against capitalism. Later on, the research contemplated the issues related to indigenous women, their cosmology and their colonial and modern gender representations. In order to carry out this research, photography was used as both the technique and the object of this study. The narrative photography produced on the first Indigenous Women Parade provided topics of great relevance for this research, which allowed for the observation of several topics that reveal a contemporary indigenous woman as an important agent for transformation. Our considerations showed that the indigenous woman is an indispensable agent for the new forms of organization that the world requires: socially, environmentally, politically, economically, ethically and womanly.
Key-words: Women. Indigenous Peoples. Representation. Photography
Abstract: The work was developed as a critical-artistic writing and it has gained body by raising
dialogues between modern authors who stood out in these two aspects, poetic and
theoretical creations. Along the way, Haroldo de Campos, Maiakóvski and a brief passage
by João Cabral de Melo Neto, Ana Hatherly and Fernando Pessoa, especially by his
heteronym Alberto Caeiro. All of them were discussed in the light of their works and of
the approximation with artists-theorists of painting and cinema, such as Kandinsky, Fayga
Ostrower and Sergei Eisenstein. In the literary-philosophical incursions, reflecting on the
idea of invention, calculation, and utopia brought the possibility to establish the utopia of
becoming, a utopia based on doing in the present, expanding and projecting future
horizons. In addition, for the analyses of the poems and theoretical lines between arts, the
Joint Tension Analysis was created, a form of analysis which questions the place of theory
and criticism in a hybrid writing between the rigor of academia and the entrails of poetic
writing.
Keywords: Poetry, Cinema and Painting. Invention and Composition. Utopia. Joint
Tension Analysis. |
| Tipo |
Defesa-Doutorado |
| Texto Completo |
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